Chance Semiotics: The Value and Application of Contingency in Cinema Art Practice

As this paper argues, chance is the key defining aspect of film, distinguishing it from other forms art and communication. This because film has ability to capture a direct, mechanical imprint unpredictable movement reality as series equidistant static images. Through enhanced visibility (such close-up or slow-motion) re-playability state, can reveal contingent nuances movement. Therefore, be seen uniquely positioned on semiotic threshold between stillness – infinitely complex real, conceptual language translating randomness chaos into aleatory significance, revealing unpredictable, foundation seemingly ordinary, habitual events.On basis creative synthesis particular aspects philosophy theory Bergson, Deleuze, Barthes others, sets out film. Furthermore, discusses presents outcomes practice research in which used theoretical rationale for practical exploration experimentation establishing significant expressive tool aesthetic element practice. In way, new filmmaking methods rooted philosophy, while contributing expansion understanding nature narrative/stylistic potential cinema art.